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Welcome to the Blochworld forum! Today is  Saturday, March 20th 2010 5:00 AM.

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Our Blochworld
Blochworld is a unique place: it is a positive forum, whose members care about one another and support one another in our shared love of dance, and life in general. Countless new members have commented on how Blochworld is so different from many other online forums, dance-related and otherwise, because of the positive, supportive atmosphere. “Veteran” members of the forum are proud of the encouraging, nurturing culture that has developed on the forum and are very keen on maintaining this unique, special place in cyberspace.

Blochworld is that way because of its members. Blochworld is its members. We are the "sine qua nihil" of this corner of the Internet—without our membership, there would be no funny, touching, or informative posts to read; no outlet for a frustrated or discouraged dancer to ask for help; no place for us to share in the joys of our artistic and personal accomplishments. Given that, it is reasonable and right to conclude that Blochworld is positive and kind because its members are positive and kind.

This does not mean we all agree or share the same philosophy on everything. In fact, quite the opposite is true. There are as many viewpoints and ideas on Blochworld as there are members. There have been many lively debates on Blochworld on subjects ranging from the merits and flaws of the ¾ shank, to the proper way to serve a traditional English tea. These debates have been informative, educational, and fun; and it is our hope and expectation that such debates continue. They are a benefit to everyone and are precisely the purpose of an online forum.

With all this disagreement, then, how has Blochworld managed to remain such a welcoming, warm place? Are the members just always in a good mood? Not at all. Almost every member has at one point or another posted in fear, frustration, or despair. The forum has seen the “dark side” of dance on occasion—yet the forum remains a place where dancers can share those negative forces, knowing they will be encouraged, uplifted, and strengthened. The constructive culture endures. Surely, then, there must be a litany of rules the members must follow, to maintain Blochworld’s wonderful tone and mood, right?

Wrong. Blochworld has but one rule: Respect. Respect for oneself, other members, and the forum. Respect does not mean agreement. Nor does it mean constant happiness. Respect means “to show consideration for.” It comes from Latin words which mean “to look upon again, to look back upon,” in a sense, to admire. It means to look upon or consider others’ words and ideas, before reacting; with the understanding that others are “looking upon” your ideas the same way. In Jamaica, “Respect” is the common greeting used when meeting someone—it is said when two people shake hands, as “Hello,” or “Good evening” are used in other countries. It is a good model for human interaction.

By all means disagree. By all means debate—work together to determine a kernel of truth. By all means share your fear, despair, or frustration. Share your joys. Use the forum to do all of these things and more: Argue, joke, and quibble.

And above all,
Respect.

When will I be ready for pointe?
Here is a post from Terpischore to Jilly that I wanted to share with everyone. I think it answers the question perfectly. Enjoy and thankyou Terpischore.

Jilly:

That's great that you're getting back into dance! Woo hoo for you! Regarding starting pointe work, Blochangel is right, and I'm sure everyone will agree: your teacher is the best person to answer that question. Being prepared for pointe has a lot more to do with technique, physical strength, and physical development than age or the number of classes one takes in a week. The technical question is mostly looked at in terms of alignment/posture, as well as use of the foot in tendu, degage, landing from jumps, etc. Can you hold appropriate alignment and turnout (using the correct muscles) throughout a class, almost to the point where it's second nature? Can you articulate your foot enough through tendu, degage, etc...have your bones and tendons reached the appropriate level of development to handle pointe work? Even if you may be able to answer "yes" to these types of questions, it's not a matter of meeting some criteria on a checklist. Your teacher (and maybe your doctor if he/she is really knowledgeable about dance) really are the only people who can determine whether or not you're ready, as they see you in class and are familiar with your body, how you move, etc. I have "inherited" students from other schools who were put on pointe too early and it is now questionable as to whether or not they will be able to safely continue dancing, even in soft/flat shoes (slippers).

In addition to the physical readiness, maturity and attitude play a big role. Pointe requires a different kind of dedication (not necessarily more, just a different kind). It is a big responsibility and requires consistent, patient practice; as well as appropriate care for the shoes, your body, etc. Once you get your first pair of pointe shoes, most likely (depending on your school) you will spend 15 minutes a couple times a week doing some admittedly repetitive, "boring" stuff: releve's facing the barre in parallel and first, etc. It is to lay the foundation for good pointe work later on. It seems kind of lame if you're used to being in a technique class where you can do "fun" stuff like pirouettes and big splashy leaps across the floor, but it is an investment in being able to do really wonderful stuff later on. You have to be able to take the long view, which is why attitude and maturity are so important. I have many students who are physically ready for pointe, but they don't always come to class consistently, they have not regularly done the pre-pointe exercises we require at my studio, etc; so they are not yet allowed to take the pointe class.

This is not to say you shouldn't do anything to work towards your goal of going up on pointe. You should! Practicing at home, taking care of your body and your feet, etc. are all wonderful habits to develop to improve your dancing, independent of pointe work. Just make sure you're practicing things *correctly* outside of class. It's hard sometimes when the teacher isn't there to watch and correct. Ask your teacher for advice, and most importantly, when the teacher gives a correction in class, whether or not s/he is correcting you, *try* the correction! We learn dance by dancing. There is no way to learn from a correction by just standing there listening to it. You must try it. As Balanchine said, "Just do, dear."

It's a really big deal, and in my opinion there is no such thing as going up on pointe "too late," although there is definitely such a thing as going up too early.

Enough of my "preaching." Hope this helps!
Good luck to you.
Dance Forever!

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---ajb

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Private Messages

I have noticed that alot of members do not have the private messaging activated in their profiles. If this is by choice thats fine, but I suspect it is because it needs to be activated by each individual. If you wish for private messging to be available to you, please select "allow private messages" to "on", in your profile menu.

thanks all and have a great day !


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